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Nana, by Emile Zola
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Very good copy in the original gilt-blocked cloth. Slightest suggestion only of toning (spine uniformly toned) , with minor rubbing to the spine bands and panel edges. Remains well-preserved overall; tight, bright, clean and strong. ; 409 pages; Limited Edition, no. 1060 of only 1500 copies. Description: xxvi, 409 p. Col. Illus. 29 cm. Subjects: Zola, Emile 1840-1902.
- Sales Rank: #4952888 in Books
- Published on: 1948
- Binding: Hardcover
- 409 pages
Most helpful customer reviews
0 of 0 people found the following review helpful.
A great XIX century French novel
By Jorge L. Herrero
An important novel, one of the best of Emile Zola.
Really great!!
Una de las mejores novelas de Emile Zola, extraordinario poder descriptivo.
3 of 3 people found the following review helpful.
Unique and surprising - 4.5
By Biblibio
Well, if there's one thing to be said about "Nana", it's that the book will sure keep you on your toes. With a large and shifting cast of characters (all of whom seem to revolve around, of course, Nana), Zola wrote the first of his novels that I did not immediately love, but a remarkable, disturbing and bizarre book.
For those coming from "L'Assommoir", it's easy to remember Nana as the girl who starts out adorable and quickly disappears from her parents' lives. For those who haven't read "L'Assommoir" yet, do so now. It's a great book. As for "Nana", it continues with Zola's incredibly detailed style. This writing, which suited me fine in "L'Assommoir" and in "Germinal" (excellent) suddenly seems to drag a little. "Nana" is wickedly brilliant in all the dialogues and the relationships between people. In between, however, the story slows down, at times almost bogging down.
"Nana" presents the highly hypocritical and strange world of the wealthy Parisians at the time of the World Fair. Full of whoring and sex (all of which is, of course, never explicitly described, leaving this book technically "clean", if you don't mind hearing about cross-dressing orgies), "Nana" seems to mock the culture that at once harbors such behavior and simultaneously criticizes it. The reader almost feels sympathy for a struggling Nana, as she wreaks havoc around her. There lies the great genius of Zola's writing - even as the book stumbles, it manages to keep the reader hooked to Nana's story and wondering what strange scene will come next.
"Nana" is a clever, interesting book. Offering a view of Parisian theatrics and "wealthy" life, it also presents hypocrisy, debauchery and female strength - Nana repeatedly proves to the men around her that she does not need them, that she can rely and survive by herself. It's an important addition to the Rougon-Macquart cycle, telling one more French tale. It's a special, fascinating, enrapturing book. Still, it does not manage to cast the same spell as "Germinal" and "L'Assommoir". While I recommend this wholeheartedly, I suggest readers start with those two great books first. Regardless, "Nana" is a unique and surprising book about whoring in Paris - 4.5.
Recommended.
18 of 18 people found the following review helpful.
gender-reversal during the decline of the Second Empire
By P. Kufahl
In this novel, one of Zola's five or six "great books" about life during the Second Empire of France, we see a great number of men fall under the destructive influence of Nana, a demimonde who rose to fame from the backstreets of Paris. Nana is a prostitute, performer, socialite and celebrity all in one, making for a massive force of destruction. While every bit as earthy (and then some) as "L'Assommoir," this story is not quite as grim; depending on your sense of humor, it is also funnier.
For 1880, the descriptions of Nana's numerous trysts, games and affairs are, um, rather progressive, but this is a result of Zola's "naturalist" style. He collected copious notes on real figures at the time, and stood by the accuracy of his details. Nana did actually exist as a demimonde (or maybe a few), hastening the decadence of Napoleon III's France.
The back cover misleadingly advertises this story is a "poem of male desires," when it is Nana's desires and ambitions which drive the plot and dominate the imagery. Like no other book that I've read, "Nana" reverses the gender roles of its characters; with a fair amount of cross-dressing, homosexuality, physical abuse and assorted perversions. There are some dramatic scenes of degradation of Nana's men which are either 1.) some measure of revenge on men (Nana's mother experienced a lot of abuse in "L'Assommoir"), 2.) revenge on the wealthy, or 3.) expressions of boredom. Fans of "Fear Factor" might appreciate.
Zola's themes have a lot of parallels today: decadence, fear of aging, and destructive affairs (look at what a divorce proceeding did to General Electric's share price). I had no problem with the translation by Mr. Holden, and the story is certainly not boring. "Nana" is probably not for anyone, certainly not for younger readers, but it deserves its reputation as a great book.
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